Lindsay – Oxenford – Wadsworth
29 May – 22 June 2019

Alasdair Lindsay
Moonlight over Bryher
acrylic on board
25 x 37cm

Alasdair Lindsay
Swimmers off Battery Rocks, Penzance
acrylic on board
41 x 51cm

Alasdair Lindsay
Plymouth Seafront
acrylic on board
40 x 81cm

Alasdair Lindsay
Pier Surfer
acrylic on canvas
70 x 120cm

Alasdair Lindsay
Godrevy Lifeguard Hut
acrylic on board
32 x 25cm

Alasdair Lindsay
Ferries for St. Michael’s Mount
acrylic on board
45 x 45cm

Alasdair Lindsay
Boat Repairs, Newlyn
acrylic on board
45 x 45cm

Alasdair Lindsay
Winter Sun Tower Bridge
acrylic on board
41 x 35cm

Alasdair Lindsay
Thames at Tower Bridge
acrylic on canvas
50 x 110cm

Myles Oxenford
Mousehole Harbour, Low Tide
oil on board
50 x 40cm

Myles Oxenford
Towards St. Michael’s Mount
oil on board
50 x 40cm

Myles Oxenford
Rinsey
oil on board
40 x 30cm

Paul Wadsworth
Coastal Hedgerow
oil
50 x 50cm ÂŁ1600

Paul Wadsworth
Gwithian and the Surf Rolls In
oil
50 x 50cm ÂŁ1600

Paul Wadsworth
The Cuckoo and the Swallows arrive in Late Spring
oil
60 x 80cm ÂŁ2300

Paul Wadsworth
The Seas Meet at the Cape
oil
50 x 50cm ÂŁ1600

Paul Wadsworth
Down through the Valley to the Sea
oil
50 x 50cm ÂŁ1600

Paul Wadsworth
Cape Cornwall, Wind and Tides
oil
50 x 50cm ÂŁ1600

Paul Wadsworth
Weathered by the Tide and Time
oil
50 x 50cm ÂŁ1600

Paul Wadsworth
The Ocean Current Carries Her Story
oil
60 x 80cm ÂŁ2300

Paul Wadsworth
South Coast Sands Coloured by the Sea
oil
60 x 80cm ÂŁ2300

Paul Wadsworth
Gwenver in Reds and Purple
oil
50 x 50cm ÂŁ1600

Paul Wadsworth
The Stream enters at Cot Valley
oil
60 x 80cm ÂŁ2300
A three person exhibition of contemporary landscapes by Alasdair Lindsay, Myles Oxenford and Paul Wadsworth.
“Occasionally you come across an artist with whose work you feel an instinctive, immediate sympathy. Looking on my first picture by Alasdair Lindsay was like hearing a perfectly tuned chord. I write with a nocturne of his above my desk, an arrangement of blues, greys and sea greens with a single tiny block of yellow humming from its heart. It gives me intense pleasure. There’s something at once stabilising and stimulating about the way Alasdair takes the deeply familiar elements of harbour, water, boat and house and abstracts them into blocks of translucent colour. Just as you can overlisten to some pieces of music, some paintings can go somehow flat to the eye with over-looking and need to be moved around the house to refresh them. I never find this the case with Alasdair’s.”
Patrick Gale.
“Myles Oxenford’s oil paintings are a perfect balance of figuration and abstraction. Using a carefully orchestrated soft palette, he experiments with minimalist colour and brushmarks in an aim to capture the atmosphere and experience of being in the landscape. To look at a Myles Oxenford painting, is to feel the peace, tranquility, light and beauty of the Cornish coastline and countryside”
Sarah Brittain-Mansbridge
“A Paul Wadsworth painting hangs in our living room – this is the work of someone who has immersed himself in these landscapes, succumbed to them, become intoxicated by them. They are overwhelmingly positive and life affirming. A painting of trees over water shimmers and shifts, the colours constantly rearranging themselves, reflections moving as if still fluid. I think that’s what I love most about Paul’s work – the sense that each painting is still growing, still evolving, still finding its own story. I could look at them for hours, days, years. I am sure you will feel the same.”
Mark Kermode