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Melanie Goemans
29 agosto – 22 settembre 2018
“Il lavoro di questa mostra è una risposta al mio ambiente, ai luoghi in cui e intorno ai quali ho vissuto la quotidianità; il nuovo che è diventato familiare, che ha fatto risuonare i pensieri e le esperienze vissute qui. Mi piace che i dipinti siano miei solo per poco tempo, mentre ci lavoro nel mio studio. La loro vita inizia quando volano verso un altro contesto, verso un altro spettatore che spero trovi i propri significati in questo lavoro. Questa è la vita del dipinto. Gli uccelli animano il paesaggio, l’airone come un dio, sproporzionato e misteriosamente significativo. La pietra – la terra – sottolinea tutto, e gli alberi sono stati il mio fascino costante negli ultimi quindici anni. Mi interessano le forme trascurate e accidentali della natura, il modo in cui la pittura e la stampa possono attirare l’attenzione su cose prive di valore convenzionale e contrassegnarle come importanti attraverso l’uso di materiali tradizionali, come la pittura a olio, il gesso, la foglia d’oro, l’incisione. Mi piace osservare forme complicate e disegnarle con un pennello molto fine. L’atto di dipingere in questo modo sembra quasi una cucitura o una tessitura, perché lentamente, con ogni segno del pennello, l’opera si compone. Un tempo pensavo che l’arte dovesse essere complessa per essere buona, ma con il tempo ho capito che mantenere le cose semplici o ridurle al minimo può dare un’impressione maggiore”.
Melanie Goemans è cresciuta nelle paludi del Lincolnshire. Ha trascorso un periodo in Italia prima di studiare arte rinascimentale fiorentina al Courtauld Institute di Londra e Belle Arti alla School of Art dell’Università di Gloucestershire. Ha poi insegnato Arte e Storia dell’Arte e ha assunto incarichi di artista in residenza a Cheltenham e nel Devon prima di stabilirsi a Londra. Melanie si è trasferita nel Cambridgeshire fens con la sua giovane famiglia nel 2010 e ora lavora nel suo studio di Ely. Nel corso della sua carriera, Melanie ha esposto in mostre collettive e personali in tutto il Regno Unito, in varie sedi, tra cui il Jerwood Space, la Bridgeman Gallery, la Rebecca Hossack Gallery e la Florence Trust di Londra. Le sue opere sono conservate in collezioni aziendali e private nel Regno Unito e all’estero e sono state recentemente selezionate per il National Open Art Competition, la ING Discerning Eye Exhibition e il JohnMoores Painting Prize (secondo turno).
