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Philip Lyons

Barn, Morvah
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Barn, Morvah

acrylic on board
32 x 32cm
Black Bowl and Red Boat
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Black Bowl and Red Boat

acrylic on board
26 x 26cm
Bright Window
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Bright Window

acrylic on board
51 x 60cm
Cider Barn
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Cider Barn

acrylic on board
26 x 26cm
Evening Time at No 7

Evening Time at No 7

acrylic on board
20 x 25cm
£595
Farmhouse, Fields, Sea
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Farmhouse, Fields, Sea

acrylic on board
30 x 30cm
Feather on Blue
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Feather on Blue

acrylic on board
19 x 34cm
Looking Out
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Looking Out

acrylic on board
25 x 25cm
Looking Through at No 7

Looking Through at No 7

acrylic on board
41 x 45cm
£975
Lost and Found (Loe Bar)
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Lost and Found (Loe Bar)

acrylic on board
22 x 14cm
Moonlight Barn
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Moonlight Barn

acrylic on board
20 x 25cm
Morvah, White Bowl
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Morvah, White Bowl

acrylic on board
21 x 25cm
Newlyn to Penzance
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Newlyn to Penzance

acrylic on board
60 x 120cm
On the Way to Angela’s
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On the Way to Angela’s

acrylic on board
22 x 28cm
Red Bowl

Red Bowl

acrylic on board
22 x 25cm
£595
Swimming Pool, Sea, Town
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Swimming Pool, Sea, Town

acrylic on board
27 x 31cm
The Red Roof
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The Red Roof

acrylic on board
20 x 17cm
Through the Allotments

Through the Allotments

acrylic on board
40 x 80cm
£1395
Two Barns (on the Farm)

Two Barns (on the Farm)

acrylic on board
30 x 60cm
£795
Upstairs Window

Upstairs Window

acrylic on board
60 x 62cm
£1495
White Barn – Fields – Coast
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White Barn – Fields – Coast

acrylic on board
25 x 25cm
White Bowl, Black Bowl – Gold
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White Bowl, Black Bowl – Gold

acrylic on board
20 x 23cm
White Bowl, Rooftops, Evening Sun
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White Bowl, Rooftops, Evening Sun

acrylic on board
40 x 40cm
Window (Looking Out to the Headland)

Window (Looking Out to the Headland)

acrylic on board
58 x 61cm
£1495

The Cornwall artist Philip Lyons working in his artist studio.I use subtle colour and strong pattern in my compositions – locking them together to make a firm structure. I pay attention to the surface of the paintings to create areas that have a sense of history (telling a story).  There are accents of strong colour to anchor the composition. I look for modest, everyday events and views, such as looking out from a window, light passing over a field, a glimpse of the sea over a hedge and shadows of trees stretching across a field. I often use a grid structure to start a painting, sometimes remaining visible, sometimes hidden in the background and I return to places I know well, to look for natural frameworks and grids, such as windows, doorways, shadows and shapes of objects in rooms. I have lived and exhibited my paintings in Cornwall since 1989.

Philip Lyons was born in Ipplepen, Devon in 1955 He studied art at Torquay and then gained a Fine Art degree at Bristol College of Art and Design in 1978. Upon graduating he worked for Phillips Fine Art Auctioneers in London and then Plymouth Museum and Art Gallery. He trained in Art Psychotherapy at Goldsmiths College, London before living in Cornwall from 1989, painting and exhibiting and working as an Art Psychotherapist for the NHS. In 2013, he moved to Falmouth and began to paint full time. Public Collections Royal Cornwall Museum, Truro, Cornwall Falmouth Art Gallery, Falmouth, Cornwall Devon County Council’s art collection      

Cornwall Contemporary

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